In this episode special guest Adobe's Worldwide Video Evangelist Jason Levine is back to give us part one of his multi-part series on DSLR Video Editing for Photographers.

It's hard to escape it, but 3D is all the rage on the big screens these days. In this extended episode Adobe's Dave Helmly is back to show us 3D editing in Adobe Premiere Pro CS5.

In this episode I take a break from Photoshop, Illustrator and InDesign and show you my Top 5 Favorite Features of the New Premiere Pro CS5 and After Effects CS5. ​

In this episode special guest Worldwide Evangelist Jason Levine is on hand to walk us through Editing DSLR video footage in the New Premiere Pro CS5.

In this episode special guest Dave Helmly is back to give us a sneak peek at some new technology for an upcoming release of Adobe Premiere Pro.

In this episode special guest Dave Helmly is back to show how to edit video from those popular low cost USB flip cameras and other USB cameras right in Premiere Pro CS4.

In this episode we'll learn how to animate stills in Premiere Pro CS4 using the built-in Motion Controls. Create an animated slideshow easily and make it part of your video.

BONUS EPISODE: In this special bonus episode special guest Colin Smith of Adobe gives us the low down on the new features of the Adobe Premiere Elements 8.

In this episode special guest David Helmly shows how to import and edit video captured from the iPhone 3GS.

In this episode video specialist Dave Helmly is back to give us an in-depth look at all the new things in the recently released Adobe Premiere Pro CS4 4.1 update. Premiere Pro CS4 is now better than ever with enhanced support for native HD workflows.

In this episode Dave Helmly is back to show us the NEW RED Camera plug-in for Premiere CS4. RED Camera is the hottest thing to hit Hollywood since, um, Film! Now you can edit RED camera footage natively in Premiere Pro CS4.

In this episode our friend Dave Helmly is back to show us the New Adobe Premiere CS4 4.01 update which now allows you to import Final Cut Pro projects into Premiere whether you're on the Mac or PC.

In this episode special guest Dave Helmly shows the new support in Premiere CS4 for AVCHD video. This is key for customers moving to tapeless workflows.

In this episode, special guest Dave Helmly takes us through the new features in the Premiere Pro CS3 3.2 update which includes native support of Sony's XDCAM format.

In this episode special guest Dave Helmly takes us through mixing footage in various formats on the timeline in Adobe Premiere Pro CS3.

In this episode special guest David Helmly walks us through the Premiere Pro CS3 Panasonic P2 workflow. With the new Premiere Pro CS3 and the 3.1 update, you can now natively Ingest, Edit, and Export the Panasonic P2 format. All you need to do is to shoot your video and simply drag ,drop , and edit – it’s that easy. There is no need to transcode your video with an intermediate codec in order to use them on the timeline, and there are no AVI or Quicktime wrappers – just native P2 format.

One of the most popular questions I get from various Final Cut Pro users is what can they expect to gain from installing Production Premium CS3 and what will it mean to their future workflows. One thing that is perfectly clear is that the FCP users should expect to view Production Premium CS3  as an add-on to their current software and not a replacement to their favorite NLE editing app. The same would be true for any longtime Avid Xpress Pro or  Avid Media Composer Mac user as well.

In this episode, special guest Dave Helmly will run you through a concept edit from starting in FCP to PremierePro and AfterEffects and then back to FCP and finally to Bluray burning. Last step...Prove it...play it on a Playstation 3.

Now that Adobe Production Premium CS3 is shipping as well as the Master Collection, I thought it's time that I started to cover some of the video and audio apps here as well. So in this episode we'll take a look at Adobe Premiere CS3's Multi-Camera Editing feature. See how you can use up to 4 cameras on a shoot and easily editing the cuts between scenes.